Art on Display2020
How do we present art? And how do we look at it, as museum visitors? Most of us immediately focus our attention on the artwork itself, unaware that how we encounter it has been carefully staged by a designer. Art on Display 1949-69 focuses specifically on the manner of presentation. It reveals, through six iconic examples, how the display itself helps to create the experience. Six progressive, post-war exhibition designs by architects Carlo Scarpa, Franco Albini and Franca Helg, Lina Bo Bardi, Aldo van Eyck, and Alison and Peter Smithson illustrate how designers explicitly shape the relationship between artwork and viewer. These architectural approaches are reconstructed on a 1:1 scale, allowing visitors to experience them in three dimensions. Exhibition design by architect Jo Taillieu. Pictures taken during the building of the exhibition.
Multidisciplinary artist Rutger de Vries spray painted the restrooms in Het Nieuwe Instituut's foyer. He used the sprinkler system and the technique of process painting to give some extra colour to this usually unspectacular part of a public building.
This exhibition considers the role of a fashion garment as a socio-political carrier. The hoodie is a staple of contemporary dress, hyped as a trend and a must-have item; but elsewhere it is also a topic of moral panic, banned by certain institutions and dissected by the media as an emblem of inequality, crime or deviancy.
The re-use of digital collections in museums and archives generates new narratives with potentially surprising and innovative forms. Het Nieuwe Instituut and the Netherlands Institute for Sound and Vision invited three makers to create new works based on their digital collections.